I
Think I'm Go Go
(Difford/Tilbrook)
Funny words I cannot
read
Trams and boats where
Strauss is street
Milky way and far
out looks
On your bike and Anne
Frank books
Down the disco it's
clockworktime
Where's the humour
where am I
This world's got smaller
I'm shaking lots of
hands
Saying lots of things
That no one understands
You can shake my tree
But you won't get
me
Where am I
I think I'm go go,
go go, go go
Liquor store and rodeos
P I X and rock and
roll
The freckled face
the thin and fat
The drive-in films
and drive-in macs
Strip and porno neon
signs
Where's the building
where am I
Buckingham Palace trains
all late
Funny little men all
out in the rain
Car front deals and
after pubs
Tenth year plays and
seedy clubs
Iffy people don't
seem to mind
Where's the action
where am I
-
Chords
-
FROM THE ALBUM: Argybargy.
-
COMPILATIONS: Excess Moderation, Up the Junction.
-
A rare example of Chris and Glenn singing a
verse each.
-
From the Excess Moderation sleevenotes.
Glenn:
Probably our first "on the road" song inspired by a week when we played
London, Amsterdam and New York. Getting used to touring is enough to inspire
bemusement in anybody and we were no exception. Featuring an inspired string
arrangement by Del Newman, who was to provide many fine arrangements for
us over the next few years. Chris: Del Newman loved to wear Icelandic
boots to the studio, he was larger than life to me at the time and as cool
as they came with a baton.
-
Chris: "That was influenced by touring.
I felt like I was going go-go last night after doing two shows. I felt
like this is murder. The lyrics speak about different continents. And the
middle verse that I sing is obviously about America. It's about a state
of mind one can get in as a young musician on the road for the first time.
Abusing one's self to the nth degree." Was the ascending chord progression
and melody in the chorus on 'Go-go-go-go' part of your original conception?
Chris:
"No, Glenn did that. I don't know what enhanced him to do that but it made
perfect sense. He's fantastic at weaving a chord sequence, there's no doubt
about that. It mesmerizes me how he gets that together. He creates some
really fascinating tapestries with what he does." (from a 1992 Song Talk
interview with Paul Zollo)
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